Pace- DE

Things have been progressing at an intense pace here.

I remember back when I lived in my small hometown in the Midwest. In my field, between the ages of 18-25 I had worked for most of the major players in town. I often ran into kids that I had taught dance to while just trying to go to the movies. I had taught so many that I often did not recognize them because it was generally from an isolated summer camp I had taught.

This same momentum, over the past 15 years, has been building here, in Baltimore…

Yesterday, another podcast Interview was released about my work, this time with charm city dreamers. And today I am installing my first museum show at the Delaware Contemporary in Wilmington.

This show is about the Crown Act being passed in Delaware.

Here’s an excerpt:

Friday, June 4, 2021 | 5 – 8 PM during First Friday

Unapologetic Conversations of Hair & Nonconformity brings attention to the past discriminatory practices that have threatened to remove people of color from professional opportunities. Systemic prejudices have historically limited access to opportunities due to nonconformity to cultural standards that promote discriminatory practices towards natural and true, authentic selves. Through personal narrative and artistic practice, the ten artists showcased here promote conversations around identity, access, discrimination, and conformity through the celebration of authenticity and pride in one’s natural being.  

The diversity of approach and use of materials celebrate the beauty, the artistry, the heritage of people of color and authenticity to themselves—specifically natural hair and its appearance without apology to the institutional and societal standards constructed by Eurocentric ideas and standards. A few states including Delaware have passed legislation (The Crown Act) banning discriminatory practices on the grounds of hair style selection, making the choice of hair styles, particularly in the Black community, protected.  As a public facing institution,  The Delaware Contemporary embraces these efforts to confront how such rhetoric and politics alienate people of color, and we engage in public discourse about how discrimination and microaggressions play out in institutions, including museums and artistic venues, and in opportunities of advancement for people of color.

Emerald Arguelles, Stephanie Boateng, Ashleigh Brady, Michael Dika, Liz Miller, Lebohang Motaung, Robyn Phillips-Pendleton, Stephanie Richardson, Felandus Thames, and Shannon Woodloe

Teacher life

Our newest update in Baltimore city schools is that we are going to be going back in our schools before the numbers decline in Baltimore city, and before we, as teachers, are vaccinated. Many of us teachers are terrified because the BCPS school system is not quick or concerned to meet needs. I watched 1/3 bathrooms in our building get shut down and it took 3 months to fix. 2 months for the workers to even come look at it. I had kindergarteners having to be escorted from my room down the hall 200 ft instead of being able to do a bathroom break right outside my room. All this to say that- the PPE, ventilation system, the spacing, the schedules, etc are going to be a hot mess. You may have heard on the news that we are allowed to stay home, but we are not. We can take family medical leave for a temporary amount of time at 2/3 pay. Please tell me if you can live on 2/3 of what you are making right now.

#makeitmakesense #whenitssafe×10-voting-works/

On a lighter note!

I’d like to share some amazing news. Despite my own issues with pushing my personal fine art, I’ve had great success with my student’s art.

So I just got word that the site is live above where some of my students word is being featured in the Artseveryday 10×10 ‘Voice’ exhibit. Our works are in the voting folder, but some of ours got doubly featured in the gender section as well. So proud of my students, because the director asked for permission to print their work and frame and feature in the lobby of the Motorhouse in Baltimore, MD where their offices are. I think a projector may be involved as well. I will be swinging by soon to video this for my students ❤️.

So when the going gets tough, the students excel! Our students are rising!

Follow our future adventures @msmillerartroom

Pocket full of seeds

I’ve decided to resuscitate an old blog and revamp it for my renewed creative voice today. I have a lot to say about the creative process, or namely MY creative process and would like to allow these words and insight to flow freely to you.

Apparently my website is doing well and so having a blog connected will allow people a better insight into my creative process. So here we go.

Today is New Years Day. But on the year 2020 so it is anything but normal. New Years in America is, in fact, my favorite holiday. This particular holiday season I was unable to go see family and so ended up with two weeks off of school with no direction. A type A personality like mine, Myers Briggs INTJ, I had a loose list of 30 projects I hoped to cross off and I am 2/3 through this list. Many of these are extensive applications which are not easily done in an hour, but need extensive though and a few days

committed to rounding them up.

But all of these tasks are dedicated to my art practice. I’m realizing that anything connecting to my art practice is, in fact, building up myself as a brand. This feels strange to me, but I’m leaning into it. I am an auto-didact. I did not have parents with extensively varied skillsets, so I have been teaching myself a great many things at a discount. Now with a teachers salary and having graduated with my MFA, I am pushing to find the next thing to invest in to make myself a better professional fine artist. It’s been challenging for sure, as I play a hunch here and there. Not sure at all of what I’m doing but a great analyzer of patterns and observers of others; I’m watching what works and what doesn’t and then pushing forward.

See the above link tree for a variety of interesting links concerning my updated work and vision going forward as a hair sculptor. I’ve recently launched a Patreon for those to get involved a bit more intimately in my work and receive art from me quarterly. I’ll be blogging on there about the soundtrack process for the trailer of my film. I’m excited about the little steps of everything.

My most recent film, UBUNTU is listed in the link tree. My website explains more intimately what the film is if you want a preview. I’m still tweaking the trailer which is a really surprising mini project that I’m enamored with. I’ll be testing out a local composer for that project to feel them out for future collaborations.

People who have been speaking about the energy shifts for 2021, have been very right with my understanding. I’m a self-described, diagnosed HSP (highly sensitive person) and empath. There is a renewing coming and it’s incredible. This list of things in my hand is my pocket of seeds for the new year.

I love New Years for the simple optimism it brings. Finishing a year and beginning anew. It’s always felt strange because I have been a teacher for a long time and experience two New Years/yr. This conventional New Year’s Day of January 1st is great, but I have a long stretch to reach mid June when my work for the year ends. However this is much like a ‘work in progress crit’. These crits/critiques often seem unfair to the self-critical artist. We are meant to bring unfinished pieces before our peers to get their thoughts. Artists are great for this. We do not need finished strokes to imagine what could be. Paint for us with your words and it will be enough for us to imagine and offer you guidance, insight and questions.

So here I am on New Years Day, resuscitating my blog from 2016, which had great work on it already, connecting to my successful website and being sure to get it to you guys. I hope these words refresh you and we can walk in 2021 with our new seeds taking root or not and learning from our gardening of our lives and pursuits.

Here’s to us and tomorrow, our perpetual tomorrows and our parallel journeys.

I’m blessed to have you along with me and me along with you.


Featured Sound Artist: Susan Philipsz

I chose Susan Philipsz because she sounds a bit like one of my favorite musical artists, Enya. She creates her sounds using her own voice against various pieces of architecture which allow for ethereal sound distortion. She installs speakers in strategic points at a public location and then plays her sounds as an outside installation. Thus allowing the public to engage with the architecture in a new way. Through her art she is trying to help the audience engage more introspectively and authentically with the space.

She samples from various other musical influences including David Bowie and various folk tunes for her recordings. She is Glaswegian and was the first sound artist to win a Turner prize in 2010, SURROUND ME: A Song Cycle for the City of London.

Philipsz’s work can be found in the collections of the Solomon R. Guggenheim Museum in New York, The Tate in London, Hirshhorn Museum and Sculpture Garden in Washington, DC, Museum of Contemporary Art, Chicago, Museo Nacional Centro de Arte Reina Sofia in Madrid, Baltimore Museum of Art, Museum Ludwig, Cologne, Germany, Carnegie Museum of Art, Castello di Rivoli in Italy, and the Walker Art Center in Minneapolis.

hear her work here


Honorable Mention:

The song ‘I Question mark’ is one which has consistently impressed me through the years. I first experienced this song through a piece of choreography by Wade Robson on the show ‘So You Think You Can Dance’, about 10 years ago. I believe the choreographer Wade Robson was the one to mix this track, though there is very limited information available about it’s creation. This song is rumored to be based originally off of a Michael Jackson track. It combines a various of traffic related noises to a beat and some ambient sounds. I think that it does an excellent job of showing how sounds can be organized to become music.

Hear ‘I Question Mark’ here.

See a solo by the dancer ‘Twitch’ from season 4 of the ‘So You Think You Can Dance’ reality show competition here.

Ancient Symbols: Adobe Illustrator


The upper left is the ankh which symbolizes eternal life or ‘breath of life’, ‘eye of the nile’ or ‘cruz ansanta’ (cross with a handle). This symbol appears in hand or in proximity of every visual portrayal of an Egyptian Pharaoh.

The upper right is the Triskelion. This symbol is prominent in Celtic history. It represents completion, progress, actions, cycles, revolution, and competition directly related to it’s three-legged design.

The middle red design is ancient Sanskrit writing which translated means ‘Love’.

Below the sanskrit and to the left we see the Eye of Horus. This is also know as the ‘Eye of Ra’ (Sun God), egyptian in origin. It is used for protection. Sometimes called the Wadjet. It is thought to possess protective and healing powers; with the ability to ward off evil spirits.  You will see this symbol used in protective amulets and displayed on coffins, presumably for protection in the afterlife.

The design on the bottom left is the sign of Laima. This is a Latvian sign for the God who determined destiny in their culture. She lives under the threshold and mortals were told not to disturb her.

300 word response to article and video

The article by the Atlantic did an excellent job of documenting a turn of the tide in the art world. Technology has been growing so fast that the world is trying to find a way to resist, co-exist, or compliment it, without sacrificing the merits of their original purpose. The Met has struggled with how to allow technology without it disrupting the goals of their very reason for being. Finally they are on a path to harnessing the capabilities of technology in order to enhance a visitors experience to the museum.

I’ll admit that when I first began viewing the video on Virtual Reality I pictured what the early 2000’s showed us about what virtual reality was like. A viewer with large over-sized goggles on and huge black gloves with red wires running from them; the viewer would be exclaiming about how amazing what they were seeing was. While cutting edge, VR in the early 2000’s was far from the sleek design we are used to associating with the latest and greatest technology trends.

The video with the panel introduced Virtual Reality as the next frontier. VR will be a tool for the toolbox, just as powerful as the motion picture is. Virtual Reality is still in the very beginning phases so we do not know yet what it can become, nor the plethora of applications therein. While motion pictures give us a window to view our narrative through, VR quite literally allows us to step into this other world which we would not otherwise have access to.

When the panel began speaking about possible applications, I immediately thought of the medical field, specifically mental health. I have an interest in art therapy so I do have an extensive background in psychology. This type of technology could help in therapeutic modalities for phobia treatment, ptsd, EMDR, and trauma counseling, etc. This is exciting as we have yet to see any scientific research including a tool of this nature. Perhaps it has the capabilities to help reroute neuro pathways, allowing patients to see a life different than their present one. In any case, VR has a chance to dramatically alter our lives and experiences for the better, beyond the obvious entertainment applications.